Nam Hoang Tran is a multidisciplinary artist living in New Orleans. His work appears in Posit, The Brooklyn Review, ANMLY, New Delta Review, Tagvverk, Always Crashing, and Diode, among others. W/ Henry Goldkamp, he co-edits TILT – a journal of intermedia poetics.
PublicationsWalk on the Wild Side | Bending Genres, December 2020Familiar Strangers | Uncomfortable Revolution, December 2020Metamorphosis | The Daily Drunk, December 2020Culture Shock and Things I've Lost | (mac)ro(mic), January 2021Dial Tone | 433, January 2021The Retreat | White Wall Review, March 2021Newton's Third Law | Rejection Letters, March 2021Highway Karaoke | The Daily Drunk, April 2021Wilderness Training | Free Flash Fiction, April 2021Fill in the Blank | Oyez Review, April 2021On Guard | Bright Flash Literary Review, July 2021Extinguished | (mac)ro(mic), July 2021Lost in Translation | Gastropoda Mag, November 2021The Evaluation of Care | Olit, December 2021Carbon Dating | Cobalt Review, April 2022Sunbathing | Red Ogre Review, October 2022Strata | Fauxmoir, December 2022In the Presence of Absence | Impermanent Earth, December 2022When Life Gives You Lemons | Emerald City, December 2022Content | Oyster River Pages, December 20222 Collages | New Delta Review, December 2022Coming of Night | Touchstone Literary Magazine, February 2023Basalt | Barzakh Magazine, February 2023Four Visual Poems | Diode, March 2023The Acoustics of Clicks and Echoes | Ballast, April 2023Two Concrete Poems | Otoliths, May 2023Three Concrete Poems | BlazeVOX, May 2023Five Visual Poems | Posit, May 2023La Dispute | ARTWIFE, June 2023Voices of Experience | Unstamatic, June 2023Seven Concrete Poems | Tilted House, June 2023Vacancy | Star 82 Review, June 20232 Collages | Press Pause Press, June 2023Three Visual Poems | Deep Overstock, July 2023Heart to Heart | BRUISER, July 2023Four Photographs | The Brooklyn Review, August 20231:51 | COUNTERCLOCK, August 2023Grape of Wrath | long con magazine, August 2023Seriatim | Always Crashing, September 2023Four Photographs | carte blanche, October 2023Three Visual Poems | Word For/Word, October 2023Two Visual Poems | Midway Journal, October 2023Made From Scratch | Ghost City Review, November 2023Cornucopia | Thin Air Magazine, December 2023Dispatches From... | Defenestration, January 2024Joke(s) | Points in Case, January 2024I Am Scared of DVDs | voidspace, January 2024Return to Sender | BRUISER, January 2024Repetition Is the Death of Meaning | Tagvverk, February 2024Dolphin Linguistics | HAD, March 2024Layman's Guide to Jungle Living | Roanoke Review, April 2024Sometimes I Feel Like Keanu Reeves | ANMLY, April 2024A Meditation on Loss | Harpy Hybrid Review, April 2024Three Visual Poems | Osmosis Press, May 2024Arachno Permutation | Die Leere Mitte, May 2024System Feedback Loops | petrichor, August 2024Three Visual Poems | Not My Style, August 2024seiche.wav | manywor(l)ds, August 2024Collapse Into Echoes | mercury firs, September 2024Mod(em/alities) | Sugar House Review, October 2024Between A Rock and A Hard Place | Fatal Flaw, February 2025[~] | Cobra Milk, (forthcoming)Rapture | like a field, (forthcoming)